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- October - November - December |
October 2000
Dark, gloomy, glacial, electronic, sad, much difficult. Finally the Radiohead come back on the spot with a completely new, different album that explores new sonorities, part already visited in the previous album OK Computer. The voice of Tom Yorke floats hardly, sometimes scratching like a knife over a carpet of dreaming sounds. The beginning is shocking, with a video game kind tune overlapped by a hammering repetitive voice:
Everything in its right place. A kind of modern carillon introduces Kid
A, where the words get lost in a suffocated, metallic voice, like closed in a soap bubble that explodes then in the chaotic, jazzy National Anthem, where woodwind and brass play a chaotic and free music. It returns to rhythm with the scathing, irresistible Idioteque in order then to leave it definitively with the wonderful Morning Bell and the sweet, nearly whispered Motion Picture Soundtrack, with long hush pauses that leave you with suspended breath, nearly waiting for something that won't ever be. The Word loses importance, in the repetitiveness of random phrases recovered (open the cd box and you will find a booklet that will dip you in an atmosphere like "Usual suspects", where pieces of phrases and unordered words are put together to create a story) and the voice becomes a distorted musical instrument to increase the restlessness of this album. You must listen it more than ten times before beginning to understand and like it. Absolute Masterpiece. Vote: If you want to suggest an album to review and comment this one sign my Guestbook. |
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